History
“In addition to the orchids, for which he built a greenhouse next to the Villa, he planted daffodils, camellias, roses, hydrangeas, hibiscus and azaleas. Against the advice of the gardener Ruggiero, he rejected bougainvillea, which he considered vulgar. He added groves of myrtle to the laurel groves, in honour of Venus. He sought out every variety of the shrub that grew on the island, the most fragrant species bearing the name of Tiberius.”
(From “L'esule di Capri”, Roger Peyrefitte, 1958)
Set on the slopes of Monte Tiberio, the park of Villa Lysis is well combined with the conception of the residence, with its Mediterranean and panoramic landscape. The garden unfolds around the villa through paths, terraces and views towards the sea. The vegetation is a mix of trees, shrubs and ornamental plants, creating different settings of light, shade and depth. The garden's layout engages in a harmonious dialogue with the island's natural setting, complementing its forms and character.
The plants life includes pines, dwarf palms, myrtle, bay laurel and other Mediterranean species. A special place is reserved for roses; their presence-evoking the tradition of the great gardens of the 19th and early 2oth centuries, recreates the park's original harmony. The garden also preserves shady and secluded areas where the layout of the paths and the vegetation create an intimate atmosphere. A highlight is The Tempietto, nestled amidst the greenery along one of the paths.
The history of the park is closely linked to that of Villa Lysis.
In 1904, the French Count Jacques d'Adelswärd Fersen purchased the land and built his residence there, which became his Capri retreat, frequented by artists and intellectuals.
Initially called La Gloriette, the villa was designed in an eclectic style combining classical references, Art Nouveau and Symbolist influences.
Today, following an extensive restoration project that culminated in its reopening in 2017, the park is an essential part of the identity of Villa Lysis, where nature, architecture and historical memory come together. After passing through several owners, the Villa has been owned by the City of Capri since 2000, which opened it to the public. It temporarily houses the Jago Museum, an exhibition experience in which Jago's sculptures renew the artistic vocation of the residence.